It’s not how fast you go, it’s how you go fast.

The title sums up the evening spent with Pro Triathlete Darbi Roberts of Triby3 coaching out of Brooklyn NY. She visited the Discovery Aquatics studio earlier this month where we had an informal meet and greet with some fans, followed by a swim demo. There were certainly a lot of takeaways from our time spent with Darbi.

Our discussion time covered the usual topics of interest when meeting with an elite athlete. Nutrition, life/work/training balance, preferred training and racing metrics as well as hearing about Darbi’s athletic history and sharing her training management as an NYC based athlete. Here are my top 3 takeaways from the discussion:

1. Keep it simple, be disciplined. Having a structured routine, to fit in 2 workouts a day on most days, plus maintaining a full time job and a life, is key to being successful. Plan it out, stick to it, that’s how you go fast.
2. Be flexible and able to adapt. Sometime races come with short notice, so being able to switch gears mentally and physically to go into a race is key. Take what comes at you and work with it, that’s how you go fast.
3. Keep your spirit alive. Love what you do, and always question why you are doing it. Take a step back at any time to evaluate your priorities. Know what you want, that’s how you go fast.

One of our final questions to Darbi who is in her 30s was ‘where did she see herself in her 40s, 5os and 60s?’. After a thoughtful pause, her comment was that she would always like to be able to compete. Being a competitive athlete has always been part of her life and she couldn’t imagine not having that drive. Fantastic! As her audience we had triathletes in their 40s, 5os and 60s chatting with Darbi. I asked them to offer up some words of wisdom as older competing athletes. The gems were:

1. Respect the rest and recovery. Don’t push through all the time, every time, as you get older.
2. Enjoy what you are doing. Never lose sight of the passion and love for what you do. Life is too short.
3. Look after yourself, physically and mentally. This one body is it, cherish it.

Time to swim! After a warm up, I asked Darbi to swim intervals of descending pace. We began at 2:02/100 yard pace – this is an extremely low momentum pace for Darbi but interesting to see how she maintained balance and efficiency. We made pace changes every 5 minutes or so to 2:02, 1:55, 1:49, 1:43, 1:38, 1:33, 1:28 and 1:24/100 yards. As observers, I wanted us to find the stand out features of her stroke technique that allows her to swim efficiently. And as she began to gain speed, what adaptations were made to technique. We also noted what happened to her stroke rate as the pace changed. Here is a short clip of her swim at the faster end of the spectrum, followed by the top takeaways from our observations.

1. Consistent features across all paces was the stability through her spine, the control of the angle of rotation through her torso and how precisely this angle was transitioned from edge to edge, stroke to stroke. Darbi was narrow and streamlined perfectly as she swam – torso and legs aligned beautifully behind her head and she appeared to just slip forward in this space. At all paces, her head roll to air was timed with the core rotation, and was relaxed, low, and held in line with the spine.
2. As pace quickened, her streamlined body position never waivered. Core control and stability increased – it had to, to support a faster stroke rate without disturbing the alignment of the streamline position. Her kick became more precise to flick just enough to give extra propulsion to the stroke , but not so much that legs came out of the streamline position. In fact, it appeared that the kick became smaller and more delicately timed the faster Darbi swam.
3. Over the pace changes we measured Darbi’s stroke tempo. She started at around 1.20 and adapted to the pace changes by quickening to 0.95 seconds per stroke at the fastest pace of 1:24/100 yard – as a reference this is most likely to be about a 1:15/100 yard pool pace. Her stroke lengthened as pace increased – but stroke tempo was faster – the area of the stroke that quickened was the press (or pull) and release into recovery – it became faster but without overt extra force. Again the core control involved here, is key to enable the precisely timed and delicately balanced execution of a faster stroke tempo that remains efficient. It’s not how fast you go, it’s how you go fast.

Thanks Darbi for swimming, and best wishes for a fantastic 2017 season!

Coach Dinah

The Mind’s Eye – what is in your swim scene?

The Mind’s eye. What does that mean to you? By definition it is the ability of the human brain to visualize; to conceive images or recollect scenes. These mental images are formed by accessing our memory, or created by modifying stored perceptions. It is an incredible function of the human mind, and a completely private event. Our scenes are not tangible nor available for anyone else to see.

Mental imagery has a role in many aspects of life – holding memories, planning, goals, dreams, decision making and motivation. In sports and swimming we can use mental imagery to develop skills, build on strengths and find weaknesses and of course to compete effectively.

Each persons ability to create mental imagery or visualize is unique. Not really a surprise as we all see real objects differently, and we all have our own bank of memories and perceptions. And for a small percent of the population they are unable to ‘see’ anything. In a recent chat amongst Fresh Freestyle co-authors, I asked them to share what they ‘see’ when they swim. Coach Celeste ‘sees’ in movies. When she is swimming, her visualization is displayed as a movie of herself in that swimming moment. Coach Suzanne prefers to ‘see’ visuals as either stills, or in motion, of others swimming with correct form for her to emulate. How about you? What do you ‘see’?

I usually begin a swim with a real time visual of what my mind sees me doing, then change to isolated stills when I am correcting form or feeling movements. These stills are sometimes of myself or swim figurines. I asked Coach Celeste to sketch an image of an example image I might see.

In this particular practice I began ‘seeing’ with a real time movie of myself swimming. As I ‘viewed’ this film and connected it to how I was feeling, the area of my stroke that needed attention became apparent. From here, I began to break it down into ‘seeing’ stills of swim figurines. The first one looked a little like this:

Find a long stable line through the spine

As I swam, I kept the image of the line running along my spine. I felt tall and stable. Then I added a focus. I wanted to find the low side edge of the body, and keep that line long and stable through the torso as I extended forward. My swim scene looked a little like this:

The right low side edge of the body is long to match the length of the spine

I was ‘seeing’ the length of the low side edge of the torso with each stroke. I was also feeling this low edge sit just beneath the line of the spine. Holding the length of the edge just a couple of inches below the spine. After some time swimming I added to the swim scene. I added the length and position of the high side edge of the torso. My visual looked a little like this:

The left high side edge of the torso is long and sits just higher than the spine

I felt stable and aligned through the torso. The angle of rotation was controlled by these long lines at around 30 degrees. Not a lot of rotation, just enough to remain balanced, streamlined and able to uncoil this angle to aid with propulsion. This brought me to the final scene. I visualized using just the right amount of core (oblique) activation to help rotate the core to switch from one long, stable hydrodynamic platform to the next. Ending each rotation by finding the lengths of previous swim scenes. The mental image looked a little like this:

Control the rotation from one long, stable, angled platform to the next

I felt connected and synchronized with the swim movements. My mental image then changed backed to a real time visual of myself swimming to reinforce the stability I had found.

Using mental imagery happens during most swims I do. Next time you are swimming, be aware of what you ‘see’, and ask yourself if you are able to find a useful swim scene. How is the quality of your picture? If you would like to improve your ability to visualize, go ahead and try these exercises. First on land:

1. Find a still image of someone swimming that you would like to swim like. Look at every detail on the image. Now close your eyes and try to recreate the picture. Try and find every detail in your mind. Open your eyes to get more details if you need to, then close your eyes and find them in your mental image. Repeat as often as you can. When you feel yourself get good at the recall, move to another image or go on with the next exercise. You may even use the first image from this post if you like.
2. Find a video of someone swimming efficiently. After watching, close your eyes and try to recall the image of the moving swimmer. Go into as much detail as you can about the swimmer and they way they move. Are you able to see this athlete in 3 dimensions?  Practice often, and view the mental scene from many angles. Here is a great video to watch.
3. Move on to this exercise when you feel ready. Find one of your favorite videos from exercise 2. Now in your mental scene, replace the swimmer with yourself.  After you feel good placing yourself in the scene, connect to the imagery with your senses. How does the swimming feel on your body and muscles? What is the water temperature? How does the water feel on your face and body? What can you hear? Smell? Add one challenge at a time to enhance your ability to visualize effectively. For an added challenge, repeat this exercise with  your eyes open. Can you do it?

After you have been strengthening your ability to create mental imagery on land, now take it to your swimming. Repeat the steps above progressively with your swim practices. What have you learned about yourself and your swimming?

Coach Dinah